Popcorn Pictures

Late Hammer horror which is one of their strongest vampire films, if not one of their best overall.

More cornball kung-fu horror comedy antics with Mr Vampire and his bumbling assistants.

Hammer's final mummy film doesn't feature a bandage-wearing monster.

Beware the beat of the cloth-wrapped feet in Hammer's third mummy movie.

Hammer made virtually a remake of The Mummy, only without any of the things that made one that such a classic.

The last of Hammer's initial "big three" horrors isn't as strong as the other two but is still a damned fine example of British horror.

Attempting to revive the quaint old school British horror anthology in the 80s wasn't a good move amidst the teen slashers.

Hammer's sole venture in werewolf territory is only saved by a brilliant debut performance by Oliver Reed.

The first of Lucio Fulci's unofficial Gates of Hell trilogy is a mind-bending mix of surreal imagery, visceral gore and utter nonsense.