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Popcorn Fall

Popcorn Pictures

Reviewing the best (and worst) of horror, sci-fi and fantasy since 2000

Andrew Smith

Planet of the Sharks (2016)

"When the world floods with water one species rises to the top"

Plot

In the near future, glacial melting has covered ninety-eight percent of Earth's landmass in water and the human survivors are forced to live in floating shanty towns on the surface. Sharks have flourished, and now dominate the planet, operating as one massive school led by a mutated alpha shark.

 

I knew this one would be trouble when I read the synopsis and boy, was I right. Even worse, this was another of the unholy unions between The Asylum and Sy Fy, the two biggest sinners when it comes to the sheer number of ridiculous killer shark flicks that have been rolled out over the past ten years. It’s probably their most high-concept film to date but the underlying problems of their previous films are still evident here – the shark stuff is just woeful. They’re all trying to be as stupid and silly as they can to try and capture the lightning-in-a-bottle frenzy that Sharknado created – and they even did that to death. I’m still waiting for the day that The Asylum or Sy Fy make the inevitable ‘Sharks with Frickin' Laser Beams Attached to their Heads’ schlock fest.


Planet of the Sharks is basically Waterworld with sharks. No Kevin Costner or Dennis Hopper. And about 0.001% of the budget (remember Waterworld was the most expensive film ever made at the time). It plays heavily on this fact and offers little else in the way of a plot. There’s a distinct lack of a story and I’m sat watching and trying to piece together the little bones the characters throw the way of the audience every once and a while. I’m guessing the script thought the audience would just sit and assume this is the end of the world as humans are all living on floating cities and wearing bedraggled clothes, and so avoid the necessary plot exposition usually delivered by a character. There’s some half-baked story about trying to refreeze the polar caps to reverse what has happened but this is really second nature to the novelty factor of sharks looking like becoming the dominant species on the planet – though Planet of the Apes (with sharks) this definitely is not!


Despite doing it’s best to try and immerse the audience in its post-apocalyptic future, during one scene, it appeared that two holidaymakers wearing Bermuda shorts were standing by idly in the background watching the costumed-up actors spear fish imaginary sharks (which would have been added in post-production). Talk about completely taking you out of the film. There’s little attempt to sell this post-apocalyptic world and establish any sort of rules or logic that we can recognise. For all we care, we’re watching some marooned tourists on a makeshift island who are trying to survive, rather than the remnants of the human race slowly dying off.


Shock of horrors, none of the sharks actually look or feel real in any scene they’re in. There’s no sense of realism or of actual physical presence, just bland computer sprites floating across the screen. I know there’s only so much you can do with killer sharks but considering the number of shark films over the past twenty years, there’s literally nothing new you can do with them. Even the recent big budget The Meg had the same problems with how they can feature this giant shark without regurgitating the same old tropes. And because there’s only so much you can realistically do with killer sharks, filmmakers are now getting them doing highly unrealistic stuff to keep the material fresh. Remember the shark jumping into the air and snatching a plane in Mega Shark Vs Giant Octopus? Well there’s a lesser version here, with one of the sharks jumping up to attack a microlite.


There’s stuff about an alpha shark controlling the rest but it’s rather vague and how the sharks came to be like this is never fully developed – again it’s expected that the audience will just sit and buy it without questioning it. Planet of the Sharks also features the obligatory shot of a CGI shark cleanly biting the head off someone with hardly a flinch by the victim – this now-common death scene annoys me more than anything in the world. Sharks can’t just slice off body parts like they’re a Samurai sword, they have serrated teeth which saw bits of flesh off as the shark violently shakes its prey in its mouth. But hey, people think this looks cooler, so filmmakers are just throwing this into every killer shark film out there (and it’s even crept into killer snake and crocodile films too).

 

Final Verdict

I’ve spent way too much time writing this review than the film deserved. The worst film I’ve seen this year by a long way, Planet of the Sharks is truly atrocious filmmaking. Sharksploitation has reached the ultimate low. I fear there is no return from this.



 

Planet of the Sharks


Director(s): Mark Atkins


Writer(s): Marc Gottlieb (screenplay), Mark Atkins (screenplay)


Actor(s): Brandon Auret, Stephanie Beran, Lindsay Sullivan, Lauren Joseph, Dan Barnett, Christia Visser, John B. Swart


Duration: 86 mins




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